Kanye West Says His Publishing Is Being Shopped Without His Knowledge: ‘Just Like Taylor Swift’

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Kanye West took to Instagram on Tuesday to query a Billboard report that his “camp” has been quietly buying groceries his track catalog, writing by means of Stories: “Just like Taylor Swift… my publishing is being put up for my sale without my knowledge.”

Billboard reported on Monday that contributors of the rapper’s staff “have met selectively with prospective buyers to explore what kind of valuation his song catalog could fetch,” estimating that they’re searching for $175 million. In any other Instagram Story, West posted a screenshot of a textual content message with an unnamed individual, with West asking, “Can you ask Gee who is selling my publishing,” most likely regarding his supervisor Gee Roberson.

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“Fake news,” the individual replies. “Of course every publisher wants to pitch there [sic] hardest to buy. Smh.”

Representatives for West and his writer, Sony Music Publishing, didn’t right away reply to Variety‘s request for remark.

As is regularly the case with West, there’s so much to unpack within the state of affairs.

First, it’s tricky to believe someone in his camp buying groceries the rights to his tune with out his wisdom, despite the fact that with the common and fast turnover of his control workforce and his more than one ongoing initiatives, there’s definitely doable for miscommunication. As the price of publishing and recorded-music catalogs has soared in recent times, just about each primary artist has explored such gross sales — assets say Bob Dylan offered his publishing for just about $400 million and his recorded-music for round $200 million — so it’s no longer sudden that reps for West would take a look at the waters, particularly as emerging rates of interest and fears of inflation have cooled off the marketplace in fresh months.

Second, despite the fact that West compares himself to Swift, the scenarios are tremendously other, even though anyone have been buying groceries his publishing with out his wisdom. Swift’s publishing catalog used to be by no means on the market; as a substitute, a consortium led by means of Justin Bieber/ Ariana Grande supervisor Scooter Braun paid a reported $300 million for the rights to the masters owned by means of her former label Big Machine, which integrated her first six albums (including any other twist, Braun controlled West for a few other stints in 2016-2018).

While Swift has stated she used to be to start with blind to a possible Big Machine sale and far about that state of affairs stays unclear, she tried to shop for her masters from the label ahead of the Braun-led deal closed, however discovered the phrases unacceptable. Instead, she is 2 albums into the method of recording new variations of the ones Big Machine albums (including more than one bonus tracks) and liberating them by means of her personal corporate, and certified to Universal Music Group’s Republic Records. Just 17 months after obtaining Big Machine, Braun sold his interest for a substantial profit.

West has made noise about obtaining the rights to his publishing and recorded-music a minimum of two times previously, even going as far as to put up excerpts from his contracts on social media in 2018. In September of 2020 he wrote on Twitter, “I’m not putting no more music out till I’m done with my contract[s]” and in a distinct put up integrated a screenshot of a textual content from an unnamed adviser it appears claiming that his masters are price greater than Swift’s. (He has launched two variations of his “Donda” album and more than one different songs since he made that commentary.)

Additionally, the paperwork he posted in 2018 confirmed that no longer most effective used to be he nonetheless legally sure by means of the ones contracts, however that they’d been renegotiated greater than as soon as at phrases very favorable to him, by means of present requirements. It additionally has turn out to be transparent that West it appears already owns the rights to a lot of his recordings: The copyright on all of his albums from 2016’s “Life of Pablo” album onward is credited to his corporate Getting Out Our Dreams II, LLC (a variation at the title of his previous label, Getting Out Our Dreams, regularly abbreviated to G.O.O.D.) and certified to his longtime label Def Jam, whilst the rights to his earlier recordings are credited most effective to Def Jam.

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